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Timofey Shooters
Timofey Shooters

A Midnight Clear



Eventually it becomes clear that the Germans - as young and inexperienced as the Americans - want to give up the fight, but need a way to save face at the same time. A mock combat encounter, perhaps, followed by a surrender.




A Midnight Clear


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Settling into their temporary home, they soon discover they are not alone. A group of German soldiers has occupied a position nearby. While out on patrol, Knott, Miller and Shutzer see a trio of German soldiers aiming their weapons at them, but the Germans then vanish without shooting. The Germans, clearly more skilled and experienced than the young GIs, soon leave calling cards, start a snowball fight one evening and offer a Christmas truce. At first, the Americans think the Germans are taunting them, but it eventually becomes clear that the Germans wish to talk to them. Shutzer's Yiddish is enough to communicate with them, and they are revealed to be a small group of teenage soldiers led by an aging officer. Having survived the Eastern Front and sensing that the end of the war is imminent, the Germans say that they wish to surrender. However, they ask that the Americans pretend that the Germans were captured in combat in order to protect their families from possible retribution for their desertion. The Americans agree, but keep the plan from Wilkins, who has been mentally unstable since learning of the death of his child back home.


The film received mostly positive reviews, with an 88% favorable rating on the review aggregator website Rotten Tomatoes based on 40 reviews. The website's consensus reads, "Beautifully filmed and wonderfully acted, A Midnight Clear is a holiday war film in search of a wider audience."[2] Hal Hinson, a reviewer from the Washington Post lauded it as "a war film completely unlike any other, a compelling accomplishment that's more soul than blood and bullets."[3] Vincent Canby of the New York Times praised the film's solid construction, concluding that "In A Midnight Clear, just about everything works."[4] Writing in the Los Angeles Times, reviewer Michael Wilmington characterized the film as "...not quite a great war movie but certainly a sensitive, bright and supremely moral one" and added that "At its best, it's a barely muted cry against war's stupidity and injustice. With a clear eye, the movie shows us midnight."[5]


When the Office of Physical Plant declares a "Midnight Clear" for snow removal, parking is prohibited at all faculty/staff surface parking lots on campus, including Innovation Park, from midnight through 7 a.m. This restriction includes University vehicles and applies to all employee work shifts, regardless of reporting time.


His opening, photographed in a subdued, almost haunting way by Tom Richmond, immediately creates a sense of odd foreboding. On a clear winter day with a pale blue sky, the camera moves about a handsome stone villa, standing by itself in a clearing in the woods. Beside the building stands a strange statue, a beheaded bishop or cardinal holding his head in his hands.


As Gordon moves the film in and out of the mysterious villa, there is hope for good will. Yet even as the Germans, old men and boys, and the young Americans sing around the tree, there is always the fear that the midnight clear will be shattered by rifle fire.


Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Rise of the Mythical Creatures, There's Something in the Lake (Original Soundtrack), It Came Upon A Midnight Clear (Christmas Single), Wishing On A Dark Star, A FEW SECONDS OF FAME, Guiding Star, FAVORITES (compilation), Fanboy, and 5 more. , and , . Purchasable with gift card Buy Digital Discography $83.30 USD or more (30% OFF) Send as Gift lyrics It came upon the midnight clear,That glorious song of old,From angels bending near the earth,To touch their harps of gold:"Peace on the earth, goodwill to men,From heaven's all-gracious King."The world in solemn stillness lay,To hear the angels sing.And ye, beneath life's crushing load,Whose forms are bending low,Who toil along the climbing wayWith painful steps and slow,Look now! for glad and golden hourscome swiftly on the wing.O rest beside the weary road,And hear the angels sing! $(".lyricsText").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); credits released December 4, 2020 Performed and produced by Greg Pope.Vocals, guitars, keyboards, drums by Greg Pope. Additional vocals by Sadie Mae Pope and Esther Jane Pope."It Came Upon a Midnight Clear" was a poem written by Edmund Sears in 1849. Set to music by Richard Storrs Willis in 1850. $(".tralbum-credits").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); license all rights reserved tags Tags alternative christmas songs garage rock revival lo-fi post-rock powerpop rock christmas music christmassy hymns Nashville Shopping cart total USD Check out about GREG POPE Nashville, Tennessee


It came upon the midnight clear,That glorious song of old,From angels bending near the earth,To touch their harps of gold:"Peace on the earth, goodwill to men,From heaven's all-gracious King."The world in solemn stillness lay,To hear the angels sing.


1 It came upon the midnight clear, that glorious song of old, from angels bending near the earth to touch their harps of gold: "Peace on the earth, good will to men, from heaven's all-gracious King." The world in solemn stillness lay, to hear the angels sing. 041b061a72


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